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AWESOME STUFF GUYS PLEASE COME BACK NEXT YEAR. REALLY APPRECIATE WHAT YOU DID PROVIDE THANK YOU!

PRETTY MUCH PERFECT WITH JAWDROPPING CINEMATOGRAPHY, INCREDIBLE EDITING AND ONE HELL OF A PERFORMANCE BY YOUR DOG...AND THOSE DRONES. MY GOD THOSE FUCKING DRONES! IF THOSE WERE DONE ON THE WEEKEND WOWOWOWOW! SIMPLY INCREDIBLE....IF NOT AND THEY WERE STOCK WELL THEY WERE STILL PERFECTLY INTEGRATED. THE SENSE OF SCOPE ON THIS THING WAS HUGE DESPITE IT BEING JUST A MAN AND HIS DOG. SOUND DESIGN WAS ALSO IMPECABLE - WHY DO WE STILL NOT HAVE AN AWARD FOR SOUND?? THOSE SAYING THE FILM SIMPLISTIC NEED TO WATCH IT AGAIN THIS TEAM HAVE REACHED FOR THE STARS AND WOUND UP ON ANOTHER GALAXY. THE ONLY MINOR TEENCY TINY QUIBBLE I HAVE IS THAT THERE'S A HANDFUL OF SHOTS THROUGHOUT THE FILM WERE THE FOCUS WOBBLES EVER SO SLIGHTLY AND A COUPLE NOT GRADED AS PERFECTLY AS THE VAST MAJORITY OF THE FILM. BLEW ME AWAY.

RATING BASED ON THE 360 VERSION. TRIPPY AS. AUDIO NEEDED A LOT OF WORK.

ERMM PRETTY COLD AND MURDERY THOUGH NICE CAMERAWORK.

CLASSIC CRACKUP

Y'ALL ARE FUCKING NUTS THIS SHIT WAS THE BEES KNEES. MANOS HOMAGE! NUFF SAID.

THAT ARM GOING WAS AN AWESOME SHOT! REVELLED IN XXX-MAS SINISTER GLEE JUST NOT MUCH DEPTH TO THE STORY.

QUITE A LOT OF NARRATION HERE SORRY DIDN'T TAKE NOTES AT THE HEATS I REMEMBER THINKING THAT IT WAS CLEARLY DONE AS A FAIRY TALE AND HAD A SLIGHTLY DARK MALIGNENT BEND IT JUST NEEDED TO DO A BIT MORE THAN STATIC CAMERA NARRATED OFF SCREEN EVEN THOUGH HAD SOME CLEVER ORIGINAL PLOT POINTS.

YEAH GREAT MAKEUP BUT STORY WAS FUZZY.

REALLY GOOD SCRIPT DEALING WITH EXISTENCE STRUGGLES THAT WERE VERY RELATABLE. LOVED THE CALL CENTRE AND VERY REAL DRUNKEN PARTY HUMOUR. NAILED THEME MY MINOR GRIPE WAS THE FILM COULD HAVE BEEN A BIT MORE DYNAMIC ALTHOUGH WAS TAKEN BY SURPRISE MORE THAN ONCE.

BONKERS MANAWATU Z-GRADE THAT TOOK THE PISS WITH HELICOPTER SHOTS AND TOILET HUMOUR. FELT VERY MUCH LIKE A MODERN ED WOOD FILM I THINK IT JUST NEEDED A LITTLE BIT MORE DIALOGUE. NOT REALLY COMPLAINING TOO MUCH THOUGH.

WOW. THIS HAD SOME OF THE BEST SHOTS IN ALL OF WELLINGTON THIS YEAR. NOT 100% SOLD ON NAILING OF GENRE BUT PERFORMANCES WERE SOLID IN PARTICULAR YOUR LEAD ACTOR. I WAS NOT A FAN OF THE SCRIPT BUT THERE WAS A SURE HAND BEHIND THE CAMERA HERE AND IT WAS VERY WELL EDITED TOGETHER AS A COUPLE STRUGGLED TO DEAL WITH AN UPCOMING COLLISION THAT WILL END THE EARTH. ONLY REAL NEGATIVE AND IT WAS QUITE BIG FOR ME WAS THERE WERE SEVERAL SHOTS WHERE IT LOOKED LIKE WHOEVER HELD THE CAMERA DID NOT HAVE A GRIP RESULTING IN SOME VERY SHAKY FRAMES. I GET IF WAS SUPPOSED TO REP MENTAL STATE OF MIND BUT I FOUND IRKING. STILL I REALLY LIKED THIS OVERALL.

PURPLE DRAGONS LOSE TIM HAMILTON THIS YEAR BUT STILL PRODUCE AN EXCEPTIONALLY POLISHED AND FUNNY FILM. I LOVE THE SUBTLE LITTLE CAMERA FOCUSES USED TO DRAW AUDIENCE ATTENTION, THE 2 VERY STRONG ACTING PERFORMANCES AND MAKING THE MOST OF RESOURCES AS THE SPACE STATION WAS BELIEVABLE. GREAT TAKE THE PISS CHASE SEQUENCE AND BELIEVABLE ANGST AT THE BREAKUP OF A RELATIONSHIP. TOP CLASS IN MY BOOK.

I HOPE YOU GET OUT OF YOUR APARTMENT NEXT YEAR AS THERE WERE SOME REALLY AWESOME MOMENTS IN THIS ONE AND I CAN TELL YOU HAVE A KNACK FOR DRY LAFFS. GENRE CLEARLY ROUGH BUT JUST NEEDED A BIT MORE SUPERNATURAL SHIT TO HAPPEN TO ELEVATE THIS FILM.

GOOD CHEMISTRY BETWEEN THE 2 LEADS. THE MUSIC WAS NOT TO MY LIKING HOWEVER AND REALLY DRAGGED THE FILM DOWN.

NICE ATTEMPT AT SERIOUS BY ICW WITH SOME TIGHT CAMERAWORK I DO AGREE THOUGH THE REQUIRED FEMALE CHARACTER WAS BARELY PRESENT I CAN'T FROM MEMORY REMEMBER SEEING HER AND NOT SURE IF ASHES OR A PHONE CALL COUNTS. PERFORMANCES WERE STRONG JUST NOT SURE ON THE INTERPRETATION OF GENRE EITHER IS MY 20 CENTZ.

TOOK ITS TIME TO GET GOING BUT EXCELLENT PAYOFF. ONE OF THE FEW TIMES WHERE VENGEANCE FELT JUSTIFIED. FUCK YOU OLD SEXIST FUCKERS! GO HATTIE!

WEEKEND AT BERNIES MEETS BE KIND REWIND. PRETTY FUNNY. PRETTY SICK. GREAT TO SEE SD CAMERAS USED IN 2017

GOT SOME GOOD LAUGHS.

HANDFUL OF GOOD SHOTS. STORY VERY UNCLEAR.

WENT FOR IT IN TERMS OF HOW BAD THE SEEDLING GIRL WAS BUT FELT LIKE A SERIES OF VIGNETTES RATHER THAN ANY CLEAR AND OBVIOUS STORY ARC.

FELT MORE LIKE SURVIVAL THAN AT NIGHT AND HAD SOME BAD 50/50 LINE ERRORS THROUGHOUT WITH STILTED PERFORMANCES. DARK AND I LIKED THAT BUT NEEDED TO PRESS HOME THE NIGHT ASPECT OF THE GENRE A LOT MORE.

HARD-HITTING SERIOUS PIECE WITH BRILLIANT PERFORMANCES BY DESPERATE PEOPLE ON A MURPHY'S LAW KIND OF NIGHT. WONDERFUL CAMERAWORK IT FELT RAW AND REAL. VERY IMPRESSED AT THE CHANGE IN TONE FROM LAST YEAR SHOWING A VERY MATURE HAND BEHIND THIS ONE.

WHAT THE FUCK IS WRONG WITH THE 4/7 VOTERS DID YOU NOT WATCH KIWI DAD DETECTIVES LAST YEAR? ANYWAY SQUINT EASTWOOD HAVE NAILED ULTRA IN 2017 BY PROVIDING A HILARIOUS EUROTRIP FOR OUR FAVOURITE DOUBLE BROWN DRINKING DADS - WE EVEN GET TO MEET THEIR KIDS THIS TIME! PLANES, TRAINS AND STATUES ABOUND WITH THE DRY PISSTAKING WIT THAT PROPELLED A GRAND FINAL APPEARANCE FOR THE PREQUEL. WOULDN'T BE THE SAME WITHOUT A FEW WANK JOKES OR HORRIBLE DEATHS BUT THE SELF-AWARENESS REALLY PUSHED IT OVER THE TOP FOR ME. A++ WOULD SHIT ON EAGLE VS SHARK AGAIN.

SORRY THAT NOBODY LAUGHED AT THE ATTEMPTED JOKES IN THIS FILM. I THINK FOCUSING ON EITHER HORROR OR COMEDY WOULD HAVE HELPED A LOT.

POINTS FOR THE REAPER ON THE TRACTOR LOOKING GOOD.

OK CAMERAWORK I GUESS BUT I COULD NOT UNDERSTAND A WORD SUNG DUE TO LACK OF DICTION.

BIG FAN OF JACK & JOHNNY HERE. MOFFILAIDE HAVE DONE IT AGAIN ONE-UPPING ALL THE OTHER WGTN ENTRANTS VFX THIS YEAR. DOESN'T FEEL FAIR HAHA. HUGE SCOPE AND FULL OF SO MUCH LOVE, ONE LINERS AND GUNS. TERRIFIC FILM AND PLAYED EXCEPTIONALLY WELL AT THE HEATS. WHO ELSE WOULD COME UP WITH THE IDEA OF THE DEVIL UNLEASHING HATE ALL OVER WELLINGTON AND ONLY 2 DETECTIVES FULL OF LOVE GIVING A CHANCE TO THE WORLD? AS ALWAYS SCORE PERFECT. FROM MEMORY SOUND AT HEAT 6 WAS SHOT SO IGNORE OTHER PEOPLE'S COMMENTS ABOUT THE SOUND. YEAH!!

SUPER DUPER FANTASTIC MAKEUP AND INTERESTING TAKE ON ALIEN JUST A LITTLE BIT UNCLEAR IF A MENTAL HEALTH OR IMAGINARY FRIEND ALLEGORY OR THE FINCHER DOUBLE TAKE WAS BETTER LEFT UNANSWERED. WHILE THE MAKEUP WAS GREAT IT WAS SO LAYERED ON IT SEEMED LIKE IT TOOK AWAY FROM YOUR LEAD'S ABILITY TO CONVEY MORE THAN 1 LOOK WHICH I FELT WAS ONE OF THE REASONS FOR THE LACK OF CLARITY.

FANTASTIC CHARACTER STUDY AND THOSE FENCE CRASHES WERE CRAZY GOOD! LOVED THE COMMITMENT TO YOUR IDEA.

ENTERTAINING BUT MUDDLED FEMME FATALE.

CAMERA SEEMED TO HAVE SOME INTERLACING ISSUES AND LOOKED LIKE THE TEAM GRADED BUT DE-SATURATED TOO MUCH AS CHARACTERS WERE WASHED OUT. LOVE THE COMMITMENT TO USING VFX ESPECIALLY GIVEN THE GENRE AND TAKING A RISK AT CREATING YOUR OWN LORE OUTSIDE OF HARRY POTTER ETC. YOU DUMB NORMALS! JUST NEEDED TO TRIM THE FAT AT THE START AND COME IN A BIT LATER TO ALLOW A REAL JOURNEY TO HAPPEN FOR OUR CENTRAL ACTRESS.

LOVED THAT YOU MADE PEOPLE IN THE AUDIENCE SCREAM. WOULD HAVE RATED HIGHER WITH MORE OF A PLOT.

SICK SICK SICK MUSIC AND CAMERA. LOVE IT.

LIKE THE MATRIX FOR 15 YEAR OLDS IF THEY HADN'T SEEN THE MATRIX.

I DO NOT HAVE A FEAR OF BEING LOCKED IN THE TOILET.

LOVELY HORSES AND OUTSIDE AUDIO WAS STRONG. HOWEVER DIALOGUE WAS STILTED AND ENDING UNCLEAR AND MUDDLED. SURVIVAL ASPECT OF THE FILM WAS RUSHED ALMOST LIKE THE TEAM THOUGHT CHUCKING IN A BLAIR WITCH HOMAGE WOULD CUT IT.

CAMERA WAS WELL FRAMED BUT DISAGREE THAT LIGHTING WAS GOOD THERE WAS A LACK OF DEPTH TO A LOT OF THE SHOTS AND SET DECORATION TOOK ME OUT OF THE MOMENT. THE STORY JUST NEEDED MORE WORK BUT SOME OF THE GONZO DIY SCENES WERE HIGHLY ENTERTAINING.

VERY LO-FI AND THERE IS NOTHING WRONG WITH THAT BUT I'M A STICKLER FOR AUDIO. INVENTIVE FILM.

HOPE YOU IMPROVE YOUR AUDIO NEXT YEAR.

JUST FELT LIKE THE EDIT COULD HAVE BEEN A BIT TIGHTER EG LINGERING SHOTS OF THE TUG OF WAR STAYED ON SCREEN WAY TOO LONG. POINTS FOR POSITIVITY.

SICK CAMERA WHATEVER YOU SHOT WITH. ENTERTAINING ALTHOUGH GIVEN WHAT YOU CLEARLY HAD AT YOUR DISPOSAL I KIND OF WISHED THERE WAS MORE ACTUAL ACTION THAN SUBVERSION. JUST FELT LIKE THE PACING WAS SLIGHTLY OFF AS WELL.

ABSOLUTELY SLAYED AT THE HEATS WITH A DESERVED AUDIENCE FAVOURITE AWARD. VERY FUNNY MOCKUMENTARY ONLY BADLY LET DOWN BY A POOR COLDHEARTED ENDING THAT IS A HORRIBLE TROUPE IN THIS COMPETITION OF KILLING WOMEN FOR THE SAKE OF IT.

STRONG PERFORMANCES I SWEAR FRED POKAI DELIVERS EVERY YEAR COME 48HOURS. YES AT FIRST GLANCE THIS JUST COVERED THE AT NIGHT REQUIREMENT THROUGH SHADOW AND CONTRAST BUT LISTENING TO AND WATCHING THE STORY IT WAS QUITE CLEAR THAT THIS TEAM ACTUALLY TOOK A RISK IN THEIR (USUALLY DEATH-KNELL) APARTMENT SETTING. UNSETTLING AND OMINIOUS WITH A RUMBLING SONIC SCORE TO HIGHLIGHT THE CREEPIEST MOMENTS. FULL OF TENSION THIS WAS A CLASSIC EXAMPLE OF DOING MORE WITH LESS. STAYS ON THE MIND LONG AFTER.

A BIT CONFUSING.

REALLY CLEVER FILM THAT WENT SERIOUS AND PLAYED ON THE DIFFICULTIES THAT PARENTAL SEPARATION CAN CAUSE. TOUCHED ON SOME REALLY NICE NOTES, FELT PERSONAL AND ALLEGORICALLY RICH IN TERMS OF ALIEN FROM ANOTHER PLANET AND ALSO IN TERMS OF ISOLATION WITH 2 INDIVIDUALS IN A LARGE HOUSE BY THE FOREBODING WELLINGTON WATERFRONT ALTHOUGH AT THE SAME TIME NAILING THE THEME OF LOVE THROUGH FAMILY.

SOME GREAT SHOTS. WISH THE STORY WAS CLEARER.

LOOKED BEAUTIFUL. STORY NOT ENGAGING TO MATCH.

ROCK SOLID PRODUCTION VALUES AND STRONG COMEDIC TIMING BUT A WEAK PAYOFF.

LIKED THE ORIGINALITY OF THE ACCIDENTAL ELF SUMMONING INSTEAD OF DEMONS ALLOWING TO PLAY A SUBVERTED STORY OF GOOD VERSUS EVIL. HELD A LOT OF SHOTS FOR TOO LONG OR HAD TOO MUCH EXPOSITION, AND EDITING COULD HAVE BEEN A LOT TIGHTER. ALSO BE CAREFUL TO AVOID OR CUT WIND FROM YOUR AUDIO FOR FINAL CUT AS IT IS JARRING WHEN LEFT IN.

PRETTY FUNNY BUT AUDIO WAS REALLY ROUGH AT TIMES

LOVELY BONGO DRUMS HAVE ANOTHER REALLY GOOD FILM WITH 'THE REAL RARE ARCTIC FIREFLY' THE ORIGINAL WHICH WAS SUPER SHORT, FUNNY AND SHOCKING. CREEPY AND FUNNY WITH THE EXPLORER WHO FELL DOWN THE CAVE IN THE ORIGINAL BEING TAKEN CARE OF BY A BATSHIT OLD LADY. ONLY CLEAVERS SYRINGES AND MUSEUMS FOLLOWS. CRAZY DIALOGUE BUT ALMOST TOO GOOD TO REALLY BE CLASSIFIED AS Z-GRADE!

FINAL 2 MINUTES WITH THE CELLPHONES WAS FUCKING GOLD. BREAK THEM ALL!

DAMN SON THE AUDIENCE FOR THIS HEAT HAD SOME TAR BLACK SENSES OF HUMOUR AS I THOUGHT I WAS WATCHING A REALLY WELL DONE SERIOUS FILM AND YET PEOPLE WERE GUFFAWING AT SERIOUS DOMESTICS HMMM. REALLY STRONG PERFORMANCES ABOUT A MARRIAGE CLEARLY ON THE VERGE OF COMPLETE BREAKDOWN IF NOT ALREADY THERE CREATING A HIGHLY TENSE SITUATION WITH ICE-COLD RESOLUTION. I WAS TAKEN BACK BY THE FEELING THE TEAM CREATED AND REALISTIC PLAUSIBILITY OF THE SITUATION. FOCUSED AND TIGHT ALTHOUGH COULD HAVE HAD JUST A BIT MORE MEAT TO THE BONES.

SNEEZE-JUMPING TELEPORTING WAS GREAT AND YOUR LEAD ACTOR HAD TERRIFIC SCREEN PRESENCE ALTHOUGH STORY COULD HAVE DONE WITH A BIT MORE WEIGHT.

HOLY FUCK THIS FILM WAS ABSOLUTELY INCREDIBLe. I DON'T CARE IF YOU SAY IT'S A MOCKUMENTARY THE STORY WAS TERRIFICALLY ENGAGING AND INSPIRING. FILMS ABOUT MAKING 48HOURS HAVE BEEN DONE TO DEATH BUT NEVER LIKE THIS IN THE HISTORY OF THE COMPETITION. YES IT'S A BLOODBATH FIGURATIVELY SO FOR DISQUALIFIED TIM TO TAKE THE PISS OF THE LAUNCH BEING A BLOODBATH LITERALLY WAS GENIUS. THE SENDUPS OF EVERYDAY LIFE AND BELIEVABLE GUERILLA CAMP LIFE WAS CHORTLE-INDUCING ENTERTAINING. GIVES THE META FINGER TO THE COMP WITH A SENSATIONAL PAYOFF AND PLAY ON THE REQUIRED CHARACTER FOR 2017. EDITING, DIRECTING, ACTING, SCRIPT. GEEZE LOUISE THE WHOLE BLOODY THING WAS ABSOLUTELY ON POINT. JUST FULL OF IDEAS LIKE OH SHIT I WISH I DID THAT BUT INSTEAD I FILLED MY FILM WITH SOME STUPID FUCKER STABBING ANOTHER STUPID FUCKER BECAUSE OF A LACK OF ORIGINALITY. THIS IS ORIGINALITY THIS IS SPARTA!

THIS WAS NOT A 7-STAR FILM

JUST DIDN'T CLICK FOR ME

ONE OF MY FAVOURITE FILMS OF THE DECADE SO FAR WAS A ZOMBIE FILM CALLED 'THE BATTERY' WHICH HAD A GOOD AMOUNT OF SCREEN-TIME WITH THE LEADS BUNKERED UP IN A CAR. NOT SURE IF THIS TEAM HAD SEEN THAT FILM BUT IT DID FEEL LIKE THEIR SETTING WAS EERILY FAMILAR. HAVING SAID THAT THE FISHEYED FRAMING AS PER LAST YEAR WAS PARTICULARLY STRONG AND THE NODS TO THE END OF THE 20TH CENTURY WERE SPOT ON HAVING BEEN THERE MYSELF AS A YOUTH. THE FART/DIARRHEA CONCLUSION WAS PRETTY GROSS AND OVERDONE AND JUST DID NOT REACH A SATISFYING CONCLUSION. I DID LIKE YOUR COMMITMENT TO IT THOUGH.

SOME REALLY GREAT SHOTS HERE BUT THERE WAS A LACK OF CLARITY REGARDING THE PLOT.

HAHAHA THIS FILM WAS HILARIOUS AND GROSS NAILING THE 'HORROR-COMEDY' GENRE FOR 2017. I PARTICULARLY LIKED THE FRANTICNESS AND THINK IF THE COMPETITION STILL HAD A MOST MANIC AWARD YOU WOULD BE A DEFINITE CONTENDER. ONE-JOKE FILMS CAN BE A BIT TIRESOME AND THERE WERE MOMENTS WHERE THE HORROR OF TAMPONS WAS PUSHED PRETTY HARD BUT I LIKED HOW YOU LET THE FILM BREATHE WHERE NEEDED WITH CALM BEFORE THE STORM IN THE SUPERMARKET PRIOR TO THE GRUESOME VISUAL CONCLUSION. MY TWO MAIN ISSUES WERE THAT SOME OF THE HUMOUR WAS PARTICULARLY JUVENILE AND THAT WHILST I UNDERSTAND YOU WERE PORTRAYING THE FRAYED MIND OF OUR BESPECTACLED LEAD SOME OF THE CAMERA WORK LEFT A LOT TO BE DESIRED.

DBT5 ABSOLUTELY SLAYED THE AUDIENCE AT THE HEAT I WAS IN FITS OF LAUGHTER. FROM THE ANDY SIDARIS AND GOLAN-GLOBUS INSPIRED SHOT ON VHS LOOK THROUGH TO THE ON-POINT HOMAGE TO MIAMI VICE AND THE DEATH WISH FILMS I WAS GRINNING FROM EAR TO EAR. PLAYED SILLINESS STRAIGHT WHICH SEEMS TO ME LIKE THE WAY TO DO Z-GRADE. OVER THE TOP AND CHEESY AND GREAT. WHO THE FUCK'S SWIMMING POOL WAS THAT?! LOOKED LIKE A SICK PAD.

OH MAN DOG AND WOLF I REALLY LOVED THIS FILM YOU HAD A PITCH PERFECT LITTLE DITTY HERE. FROM THE KUBRICK-INSPIRED OMINOUS DSRL TO THE REALLY FANTASTIC USE OF SMASH CUTS IT WAS QUITE CLEAR THAT YOU KNOW HOW TO CRAFT SOLID CINEMA. TICKED A LOT OF THE RIGHT BOXES FOR ME ABOUT 48HOURS - NO CHEWING THE FAT WAKING UP IN A BEDROOM OR BRUSHING TEETH THE ATTENTION WAS GRABBED STRAIGHT AWAY WITH THE PERPLEXING INTERVIEW QUESTIONS AND THEN THAT FIRST ALARM SOUND OH BOY! FOR THOSE COMPLAINING THIS ISN'T A CHRISTMAS FILM THEY MISSED THE POINT OF THE THEME WHICH WAS REALLY CLEVERLY LINKED TO THE TEAM'S GENRE. AND EXCELLENT WORK BY REAGAN MORRIS IN HIS GARBAGE DUMPING CAMERO. LEAD ACTRESS EXCEPTIONAL.

THIS FILM ABOUT A TELEPORTING PIZZA COMPANY WAS ENTERTAINING WITH A VERY STRONG LEAD ACTRESS HOWEVER FOR A FILM THAT WAS ABOUT TELEPORTING PEOPLE IT FELT THE CAMERA WAS QUITE STATIC AND THERE WERE LARGE DOSES OF EXPOSITORY DIALOGUE THAT COULD HAVE BEEN CUT SHORTER. HAVING SAID THAT I LIKED THE AMBITION ON SHOW HERE AND WHO HASN'T HAD A BAD DAY AT WORK??

HO HO HO THAT GUY WAS AN ASSHOLE THINKING A SHITTY TREE WAS A GOOD IDEAS FOR A XMAS PRESENT FOR HIS GIRLFRIEND! WHILST THIS FILM WAS SLIGHTLY LO-FI THE GONZO CAMERAWORK PLACED IT ABOVE OTHER DARK CHRISTMAS FILMS IN THE COMP.

THIS WAS A BEAUTIFUL LOOKING FILM WHERE CHARACTERS HAD TO KEEP SEWING OR THEY WOULD DIE. THE TECHNICAL ASPECTS HERE WERE VERY TIGHT AND THE POTENTIAL REPERCUSSIONS CLEAR FROM THE OUTSET HOWEVER DUE TO A LACK OF A PLOT THE PAYOFF DID NOT HIT AS HARD AS IT COULD HAVE. I GET THE SHOW DON'T TELL APPROACH BUT THERE IS A FINE LINE BETWEEN INTRIGUE AND CONFUSION.

ADZ4U2 IS AN ENTERTAINING ROMP ABOUT A COUPLE OF DODGY ADVERTISING BUDDIES LOOKING TO MAKE A QUICK BUCK BUT LUNCH NEVER COMES FOR FREE. WITH STRONG ACTING PERFORMANCES AS ALWAYS COUCH KUMARAS RELAY THEIR OPPORTUNISTS FIRST SEEN IN 2014 REALLY WELL. MY MAIN PROBLEM WITH THE FILM IS THAT THEIR WERE NOT MANY TONAL SHIFTS. THE JOKES WERE GOOD IN PARTICULAR THE ORANGES AT THE RUGBY GAME BUT THE ARC OF STORY DEVELOPMENT DID NOT HAVE AN EXCEPTIONALLY STRONG IMPACT.

I THINK THE COMMENT ABOVE ABOUT 'FAUX Z-GRADE' IS OBNOXIOUSLY RUDE ABOVE ME. DISCLAIMER = I HAVE NO LINKS TO THIS TEAM. EXTRACT OF FEMININE ESSENCE IS A SEARING LOOP INTO AN INSANE ABYSS THAT HAS SOME OF THE CRAZIEST SHOTS I HAVE EVER SEEN IN 48HOURS. THE DUDE COMING OUT OF THE WATER WAS ABSOLUTELY STARTLING AND THE BLACK AND WHITE MIXED FACES IN THE CAR ALSO SHOWED A COMMITMENT TO CRAFTING SOMETHING OTHERWORLDY.
HAVING SAID THAT THIS IS A HARD ONE TO RATE GIVEN IT DRAWS A FINE LINE BETWEEN PARODY OF GENRE, SURREAL AUTEURSHIP AND WHETHER THE LACK OF LINEARITY TO THE PLOT IS A BENEFIT OR A HINDRANCE. POINTS FOR ORIGINALITY MOST DEFINITELY.

GOOD GRAVY DON'T PANIC PICTURES YOU ARE CRAZY KUNTS WITH A VISUAL FLARE FROM ANOTHER WORLD. I REALLY DUG THE UNIQUENESS OF YOUR VISION WITH THE VR ASPECTS AND TENTACLES BEING INDELIBLE IMPRINTS INTO MY BRAIN. IF ONLY THE ACTION ITSELF HAD BEEN A BIT TIGHTER I THINK I WOULD HAVE LOVED IT AS WHAT SEEMED LIKE TECH ERRORS WITH CLIPPING AND SWUNG PUNCHES BEING MILES AWAY FROM THEIR INTENDED TARGET WERE ENTERTAINING BUT MADE THE ACTION ITSELF SILLY RATHER THAN THRILLING. WARPED AF.

OH MY WORD THAT YOUNG BOY CAN ACT. A VERY TOUCHING FILM OF BROTHERLY LOVE AND STORYTELLING WITH JUST THE RIGHT BALANCE OF EXTRA TERRESTRIAL HINTS TO NAIL THE ALIEN GENRE. A CLASSIC EXAMPLE OF LESS IS MORE AND ENHANCING THE FILM THROUGH TERRIFIC DIRECTORIAL AND CAMERA CHOICES.

CINETRANCE ARE AT IT AGAIN WITH A BEAUTIFUL FILM THAT LOOKS AND SOUNDS GREAT WITH AN INCREDIBLE AMOUNT OF COVERAGE. MY MAIN GRIPES ARE THAT THE FILM QUITE LITERALLY TOOK THE GENRE GUIDELINE OF 'MAYBE THE CHARACTER NEEDS TO SURVIVE FROM THEMSELVES' FROM THE 48HOURS WEBSITE A BIT TOO LITERALLLY. A VERY UNUSUAL SEQUEL AND SEEMED THAT ULTRA MAY HAVE PUT THEM BEHIND THE 8-BALL AS WITHOUT THE LINK TO 2014 WELLINGTON RUNNER UP "IRREVOCABLE" THE FILM IS A VISUAL FEAST RATHER THAN THE FOLLOW UP DESERT IT COULD HAVE BEEN. STILL IT LEAVES QUITE A STRONG MARK.