I absolutely loved this film, and fought pretty hard to have it included in the finals. Ultimately I was outvoted, so this review will be comprised of what I loved and what I think could have been done better to allow for it to truly soar.
The strongest aspect of this film is indeed the writing. The construction of story here was a surprising delight. It really creeps up on you and the ending is so effective it gave me shivers. When we were vetting these films, my mum saw this one and we both absolutely loved it, so props to you, YIKES for making my mum nearly cry :)
Great performance from the lead, great implementation of one of the trickier genres this year, and absolutely oustanding work from a team which is jumping through at least 3 specific 48hours award hoops (Female Filmmaker, Solo/Duo team, and School team among others).
I haven't been able to work out if the older person at the end was her lover from when they were the same age, or her father reminiscing, or someone else, but to be honest I kind of like this. We know he's a loved one, and that's enough.
A couple of other people are pointing out that drawing attention to the date at the end was kind of hamfisted, but having watched this a couple of times now, I have noticed that we do in fact see a calendar at the start indicating it is modern day, so the dates at the end aren't entirely out of place, though maybe they would have suited being in the background instead of the camera floating and focusing on them.
It would have been nice to see this film focus a little more on camerawork and art direction- and maybe this was a symptom of the solo/duo team format, but most of the video entries looked like they had been filmed on the same day. A hair cut, a bit of makeup, or shooting at clearly different times of the day could have really added a touch more weight to the idea that these videos were progressing along.
A couple of the judges mentioned that they would have liked the performances/monologues from the lead to be slightly more understated- more naturalistic I guess, which is something I think will come with time as we see Yikes develop and grow as a filmmaker- which is something you could say for all of the aspects of this film.
On that subject, I am very much looking forward to Yikes's film next year, and any work that may be produced in between. So much promise in this writing.
As for your title, "P.S." is a beautifully tragic double meaning. Perfect title for the film.